- 17 July 2008
Die Südostschweiz
Mit Bachs Suiten durch Manns Schneesturm - 17 August 2008
SonntagsZeitung
Ein Schneesturm im Luzerner Sommer - 18 August 2008
Neue Zürcher Zeitung
Verschlungene Wege in die Innerlichkeit - 18 August 2008
Aargauer Zeitung
Blick in eine zerklüftete Seelenlandschaft - 18 August 2008
Neue Luzerner Zeitung
Im Kopf verschlingen sich die Körper - 18 August 2008
Tages-Anzeiger
Selbstfindung mit Bachs Cello-Suiten und Manns «Zauberberg» - 18 August 2008
Badische Zeitung
Reise in eine Wahntraumwelt - 18 August 2008
Bloomberg.com
Stormy Bach, Bartok Enliven Lucerne Festival: - 19 August 2008
Zürcher Oberländer
Seelenzustände in Tanz verpackt - 19 August 2008
Der Landbote
Mit Bachs Cellosuiten unterwegs - 20 August 2008
Stuttgarter Nachrichten
Eine Anstrengung, der sich nicht jeder stellt - 21 August 2008
Süddeutschte Zeitung
Johann Sebastian Bachs Gespür für Schnee - 17 October 2008
Kulturwoche.at
Festspielhaus St. Pölten gewinnt mit Joachim Schloemer einen vielseitigen Choreografen
Bloomberg.com, 18 August 2008
Stormy Bach, Bartok Enliven Lucerne Festival:
[...]
The appointment of choreographer/director Joachim Schloemer as this year's "Artist in Residence" signals the conceptual base for the new building. The Lucerne Festival, which until now has confined itself largely to concerts, moves into the realm of music theater with "Im Schnee" (In the Snow), a staging of Bach's six solo cello suites.
The results are curiously expressive and resolutely odd. Schloemer's cast of five dancers and three cellists moves in various states of dream-like trance and derangement through Mascha Mazur's sparse sets. Tent, shelter, hotel or the inside of protagonist C's mind? It's a bit of all that. Think of the film "Being John Malkovich" without words.
"Im Schnee" does not aim to be a literal translation either of Bach's intensely reflective music or the chapter of Thomas Mann's novel "The Magic Mountain" on which the show is loosely based. Instead, it's a series of associative meditations, quirky and moving. Schloemer's dancers move with grace and wit through imaginative accounts of Bach's scores by cellists Sebastian Diezig, David Pia and Mattia Zappa. Thomas Jeker's electronic-music interpolations remain discreetly in the background.
[...]
Shirley Apthorp